Computer Security Against Viruses and Hacking Essays - Security

Computer Security Against Viruses and Hacking Viruses, worms, Trojan horses, and hacking are all security issues in our computer network. Each of these malwares or programs attaches and spreads in different ways. Through hacking hackers can infect computers with various types or malware and viruses. This paper will explain what viruses are, how it occurs and the types of cybercrimes that can result from it, and how to better protect your computer. "Security warning! Application cannot be encrypted or Spyware alert! Your computer is infected by spyware. Do you want to activate your antivirus software now?" These are usually the messages that appear on your computer when it is infected by a virus. These are the types of viruses and message traps that hackers attempt to use to scam users into buying false antivirus software. Each type of these infectious malwares and programs by hackers are different and occur in various ways. Viruses and hacking have a major impact on two main topics discussed in Computer Information Technology 110 (CIT 110). The topics are data security and operating systems. Through the infection of computer viruses and hacking, the computer's operating system can malfunction, and data's security becomes vulnerable to loss or theft by hackers. As explained in Catherine LaBerta's Computers Are Your Future textbook, the operating system (OS) is a "set of programs designed to manage and control the resources of a computer" ( Laberta 111). A virus infection can impede operating system from properly function. This usually occurs when the virus is preventing the OS from opening any antivirus software. People often confuse viruses for another type of malware or program such as worms and Trojan horses. As described by CommonCraft in Computer Viruses and Threats, a virus is a program intended to spread from computer to computer through infected files or USB drives while multiplying on the way and generally lead to the loss of files or the spread of spam emails. Computer worms are similar to a virus, but they typically spread within networks and can occur without the user performing a causing action. A Trojan horse is a program designed to be disguised to the user by appearing to be a "game or useful software" tricking the user into downloading the virus ( CommonCraft ). These malicious programs are designed by hackers to steal information from the computer user. The term hacker is often misunderstood for a cracker is a computer user who breaks into someone else's computer or highly secured networks for recreational purposes or to cause harm, such as viruses. A hacker is a highly intelligent individual who creates computer software and hardware. Additionally, Laberta defines a hacker as a computer user who enjoys testing his or her computer skills to the limit by applying ingenious tactics to solving problems ( Laberta 521). Due to computer hackers like Kevin Mintnick and Kevin Poulsen who used hacking for criminal reasons have caused the use of the terms has changed. Our society has construed a hacker to be the same has a cracker and therefore, through society interpretation a hacker is a criminal. In the early 1970's phone hacking was a common thing. Computer hobbyist, John Draper determines that a toy whistle included in a box of cereal identically reproduces the same 2600-hertz audio tone required to open a telephone line and begin making free long-distance calls. Three years later, two members of California's "Homebrew Computer Club" begin making "blue boxes", which was discovered based off of Draper's discovery. The blue boxes would generate different tones that would allow hackers to hack into phone systems. Those two men Steve Jobs and Steve Wozniak went on to become the founders of Apple Computers. In the 1980's was when one of the first FBI hacking busts was seen in Milwaukee. They were a group known as the 414's (the local area code). The members were accused of some 60-computer break-ins. Soon after, the Comprehensive Crime Control Act was formed, and it gave the Secret Service jurisdiction over credit card fraud, as well as computer fraud. In the early 90's law enforcements began a national crackdown on hackers after ATT had crashed on Martin Luther King Day. Most of the

Trustworthy vs. Trustable

Trustworthy vs. Trustable Trustworthy vs. Trustable Trustworthy vs. Trustable By Maeve Maddox Hearing the word trustable used twice on National Public Radio (NPR) in what seemed to be a serious context, I decided to explore the usage. Although the form trustable can be documented- the OED cites examples dated 1606, 1884, and 1900- it’s a rarity in modern usage. Both, trustable and untrustable make a slight showing on the Ngram Viewer beginning in 1824 and 1852, respectively, but compared to trustworthy and untrustworthy, they never rise from the very bottom of the graph. A Google search brings up about 627,000 results for trustable, compared to about 60,900,000 for trustworthy. A search for untrustable leads inexorably to this statement by Kevin McCarthy: What are her numbers today? Her numbers are dropping. Why? Because shes un-trustable. Like David A. Graham, I was ready to attribute the suddenly popular usage of untrustable to McCarthy: Color me unimpressed. The most surprising thing about this quotation is McCarthy’s coining of the word â€Å"untrustable.†- â€Å"Kevin McCarthy Steps Into a Faux Outrage,† The Atlantic, September 30, 2015. The credit/blame for introducing the form untrustable can be traced further back than McCarthy. The OED has a single citation, from 1863: â€Å"Dennis will look up at you with hisgood-natured, untrustable, Irish grey eye.†- Charles Kingsley. In 1997, the group Built to Spill released an album called Perfect from Now On. One of the songs is called â€Å"Untrustable/Part 2.† The forms trustable and untrustable are not barbaric in the way so many recent coinages are, but they’re not necessary. And to many speakers, they sound like errors for trustworthy and its negative form, untrustworthy. trustworthy adjective: Worthy of trust or confidence; reliable. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Misused Words category, check our popular posts, or choose a related post below:7 Types of Narrative Conflict7 Tips for Writing a Film ReviewIs "Number" Singular or Plural?

Global Popularity of Brand Playboy Research Paper

Global Popularity of Brand Playboy - Research Paper Example The beginning of Playboy was seen in 1953 by owner Hugh Heffner, at that time known as ‘Stag.† The approach was to offer a magazine for men that included nude female models, journal articles and fiction. The first issue was focused on pictures of the celebrity, Marilyn Monroe and sold an average of 53,991 copies within a few weeks. From here, Hefner began to work with Eldon Sellers in Chicago for enhancing the trend of the magazine. To enhance this, the models were combined with the different components which added to the brand of Playboy, including the Playboy bunny, which was known for being placed in the magazine in a discreet area for men to find. The height of the magazine circulated into the 1970s as the main magazine with the specific content. After this time, pornographic videos, â€Å"Penthouse† and other magazines focused on specific audiences began to compete with the magazine. However, it continues to sell an average of 2.6 million magazines per month.T he intimacy of the magazine led to the development of merchandise, specifically because the magazine wasn’t able to produce the images outside of the magazine. The development of the playboy bunny was able to add into this image in the 1970s to lead to the popularity of the magazine. The merchandise includes t-shirts, caps, household items, cards, cosmetics, jewelry, mobile phone accessories, mugs and posters. However, the merchandise continued to be sold because it worked as a way of advertising the magazine and the overall ideology of the brand. Most of the merchandise grew in the 1980s and 1990s and was introduced globally, specifically to make a defined understanding of the brand name in relation to the magazines which were sold2. Current Condition of Playboy The merchandise which grew into an international brand not only went through a rising popularity. The Playboy brand was known for a continuous rise and fall in the amount of merchandise available to those interested in the brand. After the 1970s, the brand declined because of the other competitors which began to offer the same type of magazine and which combined other options for sales with the Playboy brand. This pushed Playboy into building the brand identity through the merchandise and allowed them to move back into popular rankings at a global level. Today, the concept of adult entertainment has been reinvented through the concept of Playboy, specifically because of the decline which occurred in the 1970s. The Playboy brand has built a stronger reputation with the use of technology and the Internet. At the same time, the merchandise which is available is growing in popularity. It is noted that this is linked specifically to the economic turns. When the economy was booming in the 1980s and 1990s, the magazine was popular and the merchandise worked as a brand identity. However, the downturn in the economy has led more to finding the merchandise and alternative Internet sources for the Playboy magazine. This exchange was combined with the understanding of the Playboy identity as well as what the cultural values and norms are in terms of the entertainment3. The current trends as well as the changes in the economy have

Stem cell treatment for parkinsons disease to produce dopaminergic Annotated Bibliography

Stem cell treatment for parkinsons disease to produce dopaminergic neurons - Annotated Bibliography Example Specifically, scientists have established that PD affects specific neurons that produce dopamine in the brain. Since the disease kills these dopamine producing neurons, stem cells provide a potential solution for replacing the dopamine producing neurons. Scientists can use specific stem cells to produce dopamine-producing neurons in vitro. Kriks et al., (2011) stated that engaftable DA neurons can survive in vitro for months. Through previous stem cell studies, researchers have established the embryonic and fetal neurons can be used to reverse the effects of PD on the dopamine producing neurons in the brain. This enables them to study the disease in depth. Moreover, the laboratory produced cells can them be introduced into the affected PD patients such that they replace the damaged ones and cause a reversal of the Parkinson’s disease. These studies are yet to be conducted on humans because of the uncertainties and side effects realized. However, their findings provide hope tha t stem cells can provide the much needed treatment for Parkinson’s disease. This paper presented an annotated bibliography of 10 research papers on the subject of stem cell treatment for Parkinson’s disease to produce dopaminergic neurons.The research studies present various findings that support the potential of stem cell treatment for PD to produce dopaminergic neurons, which are killed by the disease. However, the studies also present other findings related to the potential and efficiency of stem cell treatment for PD. Cova, L., Armentero, M., Zennaro, E., Calzarossa, C., Bossolasco, P. et al. 2010.‘Multiple neurogenic and neurorescue effects of human mesenchymal stem cell after transplantation in an experimental model of Parkinson’s disease.’Brain Research, vol. 1311, pp. 12-27. The purpose of this study was to explore the neurogenic as well as

Why the Gender Wage Gap Persists in Australia Term Paper

Why the Gender Wage Gap Persists in Australia - Term Paper Example In other words, gender wage gap is a phenomenon in which females get lower salaries compared to their male counterparts in similar professions in the same organization. It is seen across the world and no country seems to be free from it. Even in advanced countries like Australia, America and Great Britain, gender wage gap is a fact rather than a myth. Gender wage gap is severe in Australia despite the fact that Australia succeeded recently in appointing its first woman prime minister. The gender pay gap is experienced at every level in the workplace in Australia, the land of the great Fair Go. In 2010, on average, women lag some 17 per cent behind in pay for equal work or work of same value and in some sectors, like finance and insurance this gender pay gap expands to a ripping 32 per cent. It is regularly reported that the top 200 companies listed on the Australian Stock Exchange pay their female Chief Financial and Chief Operating Officers on average 50 per cent less than their mal e equivalents (Dr. Stone, 2010). In Australia, any effort made to â€Å"decrease the gender wage gap would be significantly associated with an increase in women’s hours of work† (Vidyattama et al, 2009, p.13). In other words, organizations force the women employees to work more hours if they demand for more wages. Many of the Australian organizations are of the view that the productivity of men and women are different and therefore it is difficult for the women to deliver same results if they work same hours as that of men. There are many reasons cited for the widespread gender wage gap in Australia. However, gender factor and industry segregation are two of the major reasons for the gender wage gap in Australia. Gender factor as a reason for the persistence of gender wage gap in Australia An artifact of economic, industrial relations, social and cultural factors, combined with the biological and psychological attributes of all involved in decisions before and in the w orkplace. As much as action is taken in the legal and political arena to create equality, the players in the industrial relations system, consciously or not, both male and female, say that they have helped to (re)construct the gender wage gap (Christine, Ph.D, 2006). According to a report released by National Centre of Social Economic Modeling (NATSEM) in 2010, the gender factor accounted for 60 per cent of the wage gap between men and women (Australia's gender wage gap 'costs $93b', 2010). As in the case of other countries, one of the major reasons for gender wage gap in Australia is the wrong perceptions about the less productivity or fewer abilities of women employees compared to male employees. Biologically, it is believed or assumed that men are stronger both physically and mentally than women. There are many cases in which women succeeded in showing equal or more mental abilities than men. However, the general perception about women abilities in excelling in critical positions is very weak. That is why Australia forced to wait till recent times to have its first woman prime minister. It should be noted that countries like Israel, India, Pakistan and Sri Lanka had women prime ministers in the twentieth century. But Australia forced to wait till twenty first century to have its first woman prime minister because of the wrong perceptions of the Australian public about the capabilities of women. It should be noted that India has a woman president at present for the first time in its history. Moreover, Germany also has a woman chancellor at present. In short, other countries pushed Australia far behind in recognizing the abilities of women. It should be noted that even women CEO’s in Australia are not ready to pay equal salaries to men

Fashion and Culture in India

Fashion and Culture in India Language disguises the thought, so that from the external form of the clothes one cannot infer the form of the thought they clothe, because the external form of the clothes is constructed with quite another object than to let the form of the body be recognized (Calefato 2004. p 13). The western culture is cultivating a grand love affair with the distinctive fashion style in India. Along with Indian music and spirituality, Indian clothing is seeing a huge impact on main stream identities of western style and culture. The main intention of this essay is to demonstrate how this emerging trend relates to the changing face of Indian fashion. Fashion is the style and custom prevalent at a given time. To some its an art form, to others its like a part of their culture and religion but to most it is a method of utilizing cloth to show or hide something about themselves. Fashion can be used to serve as an extension of ones own personality or to disguise ones own true self. One of the major points here is, how does art, culture and industry, the three aspects of life, relate to fashion? The English dictionary states that, art is a human skill opposed to nature. There are various for and against argument on whether fashion is an art form. One view that favors the argument is, art is a visual medium whose creators respond to the same stimuli as painters and sculptors and like art, it involves immense creativity as well as mastery of technique and materials. The view against it is, artists supposedly are not concerned with selling, they are consumed with creating works of art, not producing a collection for regularly scheduled s howings (Rhodes, 2003). Culture on the other hand is basically an intellectual development at a certain time and a certain place and refers to certain human behavior and activities that conclude to significance and importance whereas; industry is a segment of economy, concerned with the production of goods and service. It is an essential component of most societies and fashion is a huge contributor to it. The major fashion cities have continuous competition between each other and due to their different strategies become known as the cultural industries. The history of costume, Barthes (1983) says, has a general epistemological value. By history of costume, he means a socio-semiotic reading of the phenomenon of clothing as an articulate language through which it is possible to analyse a culture, as system and process, institution and individual act, expressive reserve and significant order. The nature of fashion, however, constantly changes and focuses on newness, or the illusion of something new which means that signs and symbols are transient. According to Woodruffe-Burton fashion is a visual commentary on the excess of a postmodern culture, the perfect foil for a world of fragmented and commensurate identities and personage, offering a dynamic procession of free floating signs and symbolic exchanges (Woodruffe-Burton 1998, page 302). Choices made in relation to new clothes are usually controlled by the current fashion look as defined within the fashion system and realized by the availability of fresh goods (Alexandra, 2004). According to Barthes (1983), the concept of new lifestyle and fashion styles is signified while the fashion commodities become signifiers. He also points out that the present form of fashion commodities decrease in value and are subsequently relinquished when the new signifier readily provides a replacement for the previous signifier. In addition, Baudrillad (1981) referred to fashion as a compulsion to innovate signs apparently arbitaray and perpetual production of meaning a kind of meaning drive. The meanings drive individuals, to seek out those new commodities that could signify them. According to Vinken, The discourse on fashion is constructed by the articulations of three major conceptual articulations: the division of being and mere appearance; the division of the sexes; and inseparab ly linked to the latter the division of the classes. In modern times, there has been a marked tendency for the first of these conceptualities whether it appears in its philosophical form or in its ethical application to be incorporated into the sociological variations of the divisions of gender and class. This phenomenon of compression has been compounded by the fact that the paradigm of the division of the sexes has allowed itself to be grafted onto the discourse on class, dominant until the eighteenth century, with the same ease that, in traditional thought, the moral condemnation of vanity let itself be combined with the philosophical suspicion of mere appearance(Vinken, p4) India during its earlier days to be clothed in fashion was seen as a mark of privilege enjoyed exclusively by upper class. The lower end of the society didnt have the access to it due to the dominance of traditional clothing which followed intensively during that time. But now it has changed for the better and is being enjoyed by almost everyone at every social level because of the democratization of fashion which has helped in mass production during the Industrial Revolution. The appearance of avant-garde designers from Japan in the early 1980s was believed to be the beginning of the postmodern phenomenon in the field of fashion. It allows openness to a great variety of styles and genres and the acceptance of Asian designers which was considered as the breakdown of the racial boundaries among designers who were largely white. Post modernity allows ethnic minorities, from women, lesbians and gay men to state find or retrieve an identity (Wilson 1994). The definition of what is fashionable was gradually decreasing in its nature with the beginning of postmodernism which eliminated differences and with the end of the autonomous sphere of fine art. What was usually worn as underwear now could be worn as outerwear. What used to be a hole for the neck could be worn as an armhole. Contents of fashions have become diverse and have redefined themselves implying the breakdown of the clothing system, itself that is, of sartorial conventions. The emergence of the new modern India seems to be the buss word for the new younger generation exposed to the vision of the new millennium as India opened up its doors to the west, there came a need to create a new identity. Thus was the idea of taking Indian traditional fabrics and styles and combining them with western cuts and lines, to appeal to larger segments and masses. Due to these developments, fashion gained in acceptance out of selected cities into the most conservative households. The new emerging trend catered way to the concept of Indian fashion boutiques, due to which women started moving out of the house and those typical tailor master were out of fashion. When more and more women started doing job, the online boutiques proved to be of great help as they can find everything under one roof, from fabric, designing, stitc hing and accessories (Chawla, 2006). Earlier to have a desired design, effort was needed to be put on to run from shop to shop to buy the fabric. Once the fabric is bought, the matching colour of laces and buttons need to bought and all these need to be given to the tailor for completing the stitching of the garment. Now, all these headaches are been taken care by the boutiques which keep a complete range of stitched and unstitched garments from casuals to party wear. The mall culture and family stores has dominated and is steadily growing in India. These are the places which are starting to become a favorite fashion hub for upper and middle class people. These stores sell fashion garments of all age groups and sexes and are considered as shopping destination. Most Indians express a great deal through their clothing. Their quench for the ultimate perfection plays a great deal in their choice of beautifully colored dramatic and sensuous garments. Highly lively colors woven in to signify the ornate designs can be found resonating through the whole of India. Lot of western influences has created modern designs which has been included into the basic structure of Indian outfit and that are the dresses that we find these days. So that makes us wonder, what was Indian fashion actually like when there were no designers displaying their haute couture to pamper a luxurious line of clientele? Well the answer to it is, India had its own kind of customs and traditions followed from generation to generations, the presence of it are even felt today. A surprising fact about ancient Indian fashion was that the clothes were not stitched together at all because most of the clothing was ready-to-wear, as soon as they left the loom. The ancient Indian fashion did not really have garments that were sewed together. The examples of these are the dhoti, the sari, the turban and the scarf. The practice of wearing dhoti by men and women were seen as a familiar site since India always go through hot and humid climatic conditions and these were made with cotton which suits the condition. The traditional Indian Dhoti, the Scarf or Uttariya and the popular Turban are still seen visible in India as people continue to wear them and hence remains as an integral part of Indian culture. Indian dressing styles are marked by many variations, both religious and regional with a wide choice of textures and styles (Tirthankar, 1999). One of the most commonly worn traditional dresses, the sari, is essentially a rectangular cloth measuring about 6 yards long. It passes through the legs around the body and tucked in at the back. Its worn in varied styles and is made from materials like pure silk or other fabric woven in different textures with different pattern s. It is worn by women as the lower garment combined with a Stanapatta (a thin band that wraps horizontally around torso) which forms the basic wear. This consists of garments that do not have to be stitched, the stanapatta being simply fastened in a knot at the back (Osella, 2000). Although the saris and the dhotis have never gone out of fashion, with the Persian influences in Indian fashion, women started wearing long tunics that went down to the knees with trousers that were known as  churidars. It also includes the very popular, versatile, comfortable and stylish  salwar-kameez. The  salwar  is a loose pajama like trouser whose legs are wide at the top and narrow at the ankle whereas kameez is a long tunic that goes down till the knees, the sides of which are left open below the waist-line, giving the wearer great freedom of movement. The basic design of this has been modified in various ways since ancient days (Jessica Pudussery, 2009). Apart from clothes, Gold plays a major role in Indian fashion and the use of it has been a tradition, long enjoyed by Indian women since early ages. Ornaments made of gold, combined with precious and semi-precious gems and beads, are the most popular ones. As the story goes on, it is said that traditionally Indian or naments had an economic value for women. The ornaments given to her at her wedding constituted a daughters inheritance from her father (which was earlier referred to as Dowry). Though this no longer holds true, a brides ornaments is considered as a financial security for her throughout life. In India the appearance of dressing styles is more towards a cosmopolitan way rather than region specific; the cause of this change can be reflected back to the early days of Indian Independence. Later on globalization bought about huge changes and this can be considered as one of the major factors witnessed in Indian fashion industry, were significance noticeable changes in styles have happened in connection with Indian dressing. Indias rapidly expanding economy has provided the basis for a fundamental change, the emergence of what is called a new vanguard increasingly dictating Indias political and economic direction (India child, 2000). There can been seen an increasingly popularity towards western mode of dressing styles among the urban youth of both sexes. Some young women are trying to incorporate the latest fashion trends within their wardrobe while still following some of the traditional Indian dressing customs. The women youth market is significant not only because of it she er size and the spending power but since they are the trend setters for rest of the population. Young women generally pay more emphasis on their appearance than older people and thus clothing occupies a more central position. They are more likely to be fashion conscious and hence are frequent buyers and they usually prefer wearing casuals (Gowswamy Roy, 2007). Although traditional dress is still worn in India, according to V.P. Sharma, an Indian worker working as a weaver in the traditional handloom sari industry in Bihar since 1988, blames the trend in womens changing tastes for handloom saris, a simple cotton sari that many Indian women wear daily. The plain designs and less appealing colors, plays no significant role for a new modern woman like Rashmi Raniwal who is a 22 year old sales assistant. Sari? she says giggling, I never wear it casually, only for formal occasions. She further adds that women in India welcomes change as it is seen as a mark of progress. There is a common view that people would consider, a woman clothed in western formal wear is more empowered than her traditional counter parts. (Time Magazine 2009). In globalized modern India mens fashion hasnt changed significantly from season to season whereas business clothing has undergone few changes but its more of being professional than being fashionable. Personal hygiene is part of the success equation, freshly scrubbed wins out over heavily fragranced. The finishing touch for Indian business professionals is his choice of accessories like briefcase, portfolio and pen but when it comes to sealing the deal, a top of the line suit, a silk tie and a good pair of leather shoes would make things perfect and professional. Its all about presenting themselves in a way that makes the business clients feel comfortable and confident on them. Dressing for success is still the rule that is being followed. It was during the late 1970s and 80s the importance of women in work place began to have a prominent role than ever before. They gradually moved into positions that had been traditionally held by men. Many of them even thought that they need to imi tate males business clothing to look appropriate for the position; the outcome was, women seen dressed in skirted suits and jackets with tailored blouses. While the business women now wear trousers to work, she does it with the intention to look professional. (Doris, 2005). Like the men the same overall rules apply to womens work atmosphere as well, business clothing is not a reflection of the latest fashion trend but it is to notice herself as a professional. They think that they should be noticed for who they are and their professional skills rather than the fashionable clothes they wear. The business wear should be appropriate for the industry and the position they hold within the industry. In the 1960s and 70s, this whole bit of buildup of wealth in India was still suffering from a Gandhian hangover. Even though there were a whole lot of families who were wealthy all over India from North to South, all their lifestyles were very low key. They were not exhibitionist or were not into the whole consumer culture. The trend has now changed completely and we can see a complete lifestyle transformation on spending habits from cell phone, holiday destination to latest fashion, which earlier would have triggered a sense of guilt that in a nation like India a kind of vulgar exhibition of wealth is contradictory to its own values. Consumerism has now become an Indian value and the new Indian middle class is making its voice heard everywhere. The middle class is hard to define precisely, is bracketed on either side by the upper and lower echelons. It is not a single stratum of society but straddles town and countryside. It encompasses prosperous farmers, white-collar workers, busi ness people, military personnel and myriad others, all actively working towards a prosperous life (Fernandes, 2006). Members of the upper class which is around 1 percent of the population, are owners of large properties, members of exclusive clubs and vacationers in foreign lands, and include industrialists, former maharajas, movie stars and top executives. Below the middle class is perhaps a third of the population who are ordinary farmers, trades people, artisans and professional workers (Britannica 2009). In todays fashion conscious society, with numeral number of designers, it would be a difficult to note down some of the top fashion designers all over the world. The superiority of designer clothing gives one the satisfaction of owing a designer piece that is unique in every way. The emergence of western concepts of displaying fashion shows has now become a common event in India. The so called catwalk models started displaying collections of designers on ramp. It was in 1932, the first fashion catwalk was organized in India by Catherine Courney. Now it can be seen as a common every day event with many conceptual and theme based shows. Indians have started exploring new avenues with their modern hybrid fashion trends which is a blend of the old traditional and the new modern and is gearing up to International exposure. This fact can be proved by the existence of eighty plus fashion schools in India were young vibrant designers are trained to face the international arena. Recently, som e of the worlds famous fashion designers like Armani, Fendi and Myiake all have been fascinated and drawn by the elements of the exotic Indian culture and traditions (Mark 2008). India, which perfectly mixes the spirit of adventure, the sense of mystery and majesty with the principles of elegance, sophistication and modernity, has long been a wonderful source of inspiration for many internationally acclaimed fashion designers. In Paris, Dries Van Naton, (The Telegraph, 2009) one of the new fashion leaders and the member of the so- called Belgain Four presented a collection of layered chiffon raps dresses saris and kurtha looks alikes. The color palettes of these modern western designers are drawing from the colors of vibrant Indian Rajasthan Desert at sundown using rich golds red and green. Fashion designers are credited for their mastery in embedding their creations with works of art that embellish the beauty of a woman. Its a fact that all of us are different from each other and seldom have the perfect figure and elegant personality that should be flaunted. Its also a truth that nobody is perfect, we all vary in height, color and characteristics. Its the magical hands of the fashion designers that transform one through intelligent smart dressing. They shape up the body in the most modest manner and make people look stunning and sensuous. There is something unique about every designer, one might focus on ethnic styling while the other on hottest western collections. The Indian movie industry has contributed and provided inspiration for the gloriously rich Technicolor summer fashion. Asia had a huge influence on the spring/summer 2002 designer catwalks and this resulted in the high street awash with bright turquoise, fuchsia, brocade and emerald tops, skirts and trousers (Colin 2004). With the changing time, the Indian fashion designers have brought about a storm in this glamour world with their commendably fabulous variety both internationally and locally. A huge chunk of latest fashion is made out of expensive designer clothing. These range from expensive saris to other traditional outfits which are stitched with semi-precious stones. These are exclusively made to cater the taste and preference of particular individuals to be worn during special occasions. Some even focus on modern expensive western fashion brands to make their presence felt. All these trends can be seen in Indias growing class of the super-rich which constitutes the maharajas and other like leading movie stars and industrialists. According to CapGemini Merrill Lynch Asia Pacific Wealth Report 2008, the number of Indians with more than $1 million in assets has grown since last year by 22%, to 167,000, more than in any other Asian country. Finally, Indian fashion beauties on the world stage canno t be ignored or left out of fashion since its the women beauties of India who bought about major changes in outlook of fashion, though they were left behind in the early days. Lara Dutta (Miss Universe 2000) and Priyanka Chopra (Miss World 2000) are the few to name as the world renowned Indian beautys who contributed to these changes. Indian fashion got International exposure and acclamation through the medium of such beauty contests. Unlike uniforms, the way we dress of our own accord involves a number of subconscious decisions. There is a concept in fashion that nothing is new, in a sense everything has been done before. This is coming closer to obvious reality, although the direction is not yet decided, it is almost certain that women will use fashion as an extension of their freedom and being no longer limited by the boundaries of class. Now people like to dress in style which is accepted globally and has become an aspect of ones identity and personality.

Quest for Freedom in The Yellow Wallpaper :: Yellow Wallpaper essays

Quest for Freedom in The Yellow Wallpaper    The short story "The Yellow Wall-Paper" written by Charlotte Perkins Gilman is a cry for freedom.   This story is about a woman who fights for her right to express what she feels, and fights for her right to do what she wants to do.   The narrator in this short story is a woman whose husband loves her very much, but oppresses her to the point where she cannot take it anymore.   This story revolves around the main character, her oppressed life, and her search for freedom.      Ã‚  Ã‚  Ã‚  Ã‚   There are many male influences in this woman's life and although they may mean no harm, push her over the edge.   The main character's husband, John, and her brother are well-known physicians.   They use their power to control the main character, perhaps subconsciously, to feel what they think a woman should feel.   For example, the woman tells the men she is sick but they believe differently. "John is a physician, and perhaps- (I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind-) perhaps that is one reason I do not get well faster.   You see he does not believe I am sick!"(507)   The men are under the impression that what they say goes and therefore the woman has no choice but to follow.   "He knows there is no reason to suffer and that satisfies him."(508)   This quote illustrates that the men are in control.   If they strongly believe nothing is wrong, then nothing must be wrong.   It is a feeling of self satisfaction the men feel when they are superior to the woman.      Ã‚  Ã‚  Ã‚  Ã‚   The main character knows John loves her, but it is the oppression she feels that bothers her so.   Her husband expresses his love for her but at the same time imposes his will on her.   He hinders her from having her own thoughts. "...He is very careful and loving, and hardly lets me stir without special direction..."(507)   The last few words of this quote show how John did not let her have any freedom because he was always there.   John acts as if he knows what the main character feels at all times. Quest for Freedom in The Yellow Wallpaper :: Yellow Wallpaper essays Quest for Freedom in The Yellow Wallpaper    The short story "The Yellow Wall-Paper" written by Charlotte Perkins Gilman is a cry for freedom.   This story is about a woman who fights for her right to express what she feels, and fights for her right to do what she wants to do.   The narrator in this short story is a woman whose husband loves her very much, but oppresses her to the point where she cannot take it anymore.   This story revolves around the main character, her oppressed life, and her search for freedom.      Ã‚  Ã‚  Ã‚  Ã‚   There are many male influences in this woman's life and although they may mean no harm, push her over the edge.   The main character's husband, John, and her brother are well-known physicians.   They use their power to control the main character, perhaps subconsciously, to feel what they think a woman should feel.   For example, the woman tells the men she is sick but they believe differently. "John is a physician, and perhaps- (I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind-) perhaps that is one reason I do not get well faster.   You see he does not believe I am sick!"(507)   The men are under the impression that what they say goes and therefore the woman has no choice but to follow.   "He knows there is no reason to suffer and that satisfies him."(508)   This quote illustrates that the men are in control.   If they strongly believe nothing is wrong, then nothing must be wrong.   It is a feeling of self satisfaction the men feel when they are superior to the woman.      Ã‚  Ã‚  Ã‚  Ã‚   The main character knows John loves her, but it is the oppression she feels that bothers her so.   Her husband expresses his love for her but at the same time imposes his will on her.   He hinders her from having her own thoughts. "...He is very careful and loving, and hardly lets me stir without special direction..."(507)   The last few words of this quote show how John did not let her have any freedom because he was always there.   John acts as if he knows what the main character feels at all times.